Tuesday, April 28, 2009

Joan Bennett: Do BLONDES Have More Fun?


Remember pretty and pert Amy March in 1933's Little Women? Remember darkly seductive Kitty "Lazy Legs" March in the 1945 classic noir film Scarlet Street? Both were played by beautiful actress Joan Bennett. Bennett essentially had two phases in her nearly 50 year feature film career. The first as a pretty blonde in mostly lightweight fare during the 1930's and the second as a raven haired vamp in some of the best examples of the film noir genre of the 1940's. Surprisingly, the 180 degree career change took place quite by accident.


In 1938 Joan Bennett had been a popular blonde ingenue in Hollywood for a decade, already appearing in over 30 films, like Disraeli and George Cukor's Little Women. Her career had been steady if uneventful. In late summer she began work on a romantic comedy called Trade Winds with Fredric March. The films producer, Walter Wanger, had put Bennett under personal contract after seeing her in Little Women (Bennett and Wanger would marry in 1940). In the film, Joan's character changes her hair color from blonde to brunette as part of a disguise. Earlier that year Wanger had produced Algiers, which featured Austrian beauty Hedy Lamarr in her successful American debut. He and Trade Wind's director Tay Garnett noted the uncanny resemblance the brunette Joan had to Lamarr. The change was popular with film goers and according to Bennett she began getting better parts. Her new sultry look was so appealing she decided to keep it (Cole Porter even noted the hair change in the song "Let's Not Talk About Love" with the lyrics "Let's speak of Lamarr, that Hedy so fair; why does she let Joan Bennett wear all her old hair?" ).


One producer who took notice of the "new Joan" was friend David O. Selznick. He was so impressed with Bennett's new sultry look that he had her test for the highly coveted role of Scarlett O'Hara in Gone with the Wind. She became one of the four leading contenders for the role along with Paulette Goddard, Jean Arthur and Vivien Leigh, who eventually won the part.


Even though she continued in a few less than demanding roles in films like The Man in the Iron Mask (1939), eventually filmmakers began to appreciate Bennett's darker countenance and her career took a dramatic turn. In 1941 she was cast as a streetwalker in the espionage drama Man Hunt. It was the first of four films she would make for German director Fritz Lang. Her next two Lang films, The Woman in the Window (1944) and Scarlet Street (1945) were excellent examples of the film noir genre that had become popular with wartime and post war audiences and cemented Bennett's persona as a femme fatale. Joan Bennett never went back to being a blonde, either personally or professionally, and capped off her career as matriarch Elizabeth Collins Stoddard in the gothic vampire soap opera, Dark Shadows.

9 comments:

  1. Since I am a blonde I won't comment. LOL. I like Joan's later work more so I prefer her as a brunette. All though my favorite version of Little Women is the 33 version which she is in. I liked her very much in it. She was wonderful in the fritz lang movies. She sure was a great actress.

    ReplyDelete
  2. Joan was involved in some sort of hunting incident in her life, which I have never been able to find out the details about. Many people will remember Joan from Dark Shadows and many from Suspiria. Others will remember her from her many films with noir Fritz Lang and may not have seen her many great 30s films as a blonde. Her cockney accent in Manhunt will probably haunt her forever especially if she ever heard a true cockney accent, but it was memorable, and the movie was fun too. As is any film with George Sanders (or his brother Tom Conway) Talk about two great lady killers. Joan was not the greatest actress, but I lover her work over 50 years.

    ReplyDelete
  3. I definitely prefer Joan as a brunette; her whole demeanor as an actress changed with her hair color. Her film noir appearances were outstanding, but she actually made the greatest impression on me in the original "Father of the Bride" as Mrs. Banks. She performed with such grace and aplomb that though she epitomized what the image a wife and mother of the 1950s should be, her great poise in the role was timeless. Truly a favorite!

    ReplyDelete
  4. I like you two ladies prefer Joan Bennett by far as a brunette and I agree with you David that the cockney accent was a bit over the top.

    ReplyDelete
  5. I have been familiar with Joan Bennett's early blonde ingenue films; they seem to be favorites at the classic film festivals I've attended. Recently I finally saw Miss Bennett in Scarlett Street, and was blown away by that performance. I hope I can get an opportunity to see The Woman in the Window soon.

    ReplyDelete
  6. I remember watching and loving her in the original Dark Shadows. The epitome of a lady amidst cheap props. I also remember her being in a first season episode of Charlie's Angels.

    ReplyDelete
  7. I always liked Joan no matter what her hair color. She was definitely an amazing actress. You've got a great blog here. I plan to visit it more when I have the time. Great job you do here. Have a wonderful week. Cheers!

    ReplyDelete
  8. I adore Joan Bennett no matter what hair color. She was pretty as both but I'm glad someone dyed her hair dark. It's always blonde or red. What's so wrong with brunette. The most celebrated beauties in film have been brunette not blonde: Elizabeth Taylor, Gene Tierney, Linda Darnell, Hedy Lamarr, Monica Belucci, Angelina Jolie, Jacklyn Smith, Vivien Liegh, Audrey Hepburn, Megan Fox, Merle Oberon, Loretta Young, Natalie Wood, Sophia Loren, and more. Have I proven my case?

    ReplyDelete
  9. I loved her from "Dark Shadows" as well.

    ReplyDelete

LinkWithin

Related Posts with Thumbnails